|
|
Kadie Salmon
The story is often seen as a source of power and knowledge that
functions through manipulation, subversion and recognition.
The nocturnal misadventures of the romance novel as a tool
to satisfy sexual desire is the context of Kadie Salmon’s
contribution to Big Case. In a series of late night photographs,
particular details of Lauriston’s ornamental gardens
are emphasised, taking on a temporary symbolism. The over-stated
grandeur of the castle provides the ideal backdrop for an over-blown
romance, well rehearsed and recited. Alluding to the contrived
narrative of a fashion shoot, the scenario is highly constructed.
The interaction of her characters is disconnected, their disinterest
in their dramatic situation is set in marked contrast to the
charged things that surround them, and the supposed clues they
hold.
|
Kadie Salmon
is currently studying towards the MFA in Sculpture at Edinburgh
College of Art Through the use of sets, composition, props and
lighting, she construct narratives that are concluded and exhibited
in the form of photography.
http://kadiesalmon.blogspot.com |